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Camera's and Lenses:
By William E. Steinman:
November 29, 2004:
A while back I wrote an essay about a new camera I purchased.
It is a Canon EOS Digital Rebel® with a 6.3 MegaPixel resolution.
As I said at the time, the real reason I bought this particular
camera is, it is not a camera. It is a camera back. It comes
without a lenses, but it can use any of Canon's EF series of
interchangeable lenses. In the following discussion I will not
specifically say camera back. It will be implied. When I purchased
this camera, I also bought two lenses. One is a zoom/macro lense
that gives me a range of 28 to 105 mm. The second is a 100 to
300 mm zoom lense. Together these two lenses give me a range
from 28 to 300 mm. At the time, I thought that was all I would
need. Since then I have learned a few basic things.
My first edification came as a result of trying to take a
wide angle, panoramic shot. It was at our family reunion and
was to be a photo of all of my family. If you ever saw the size
of some of those buggers you would know it had to be a wide angle
panoramic shot. So I set my lense to 28 mm wide angle. I even
bought an infrared remote for the camera so I could be in the
photo. Fortunately, my son also has a Canon 35 mm film camera.
His camera responded to the same remote so we were both in all
of the photos.
When I displayed what I had shot on my computer using Adobe
Photoshop® I realized I had not captured the whole family.
The subjects at the ends of the group were not there. Fortunately,
the photos from my son's camera did have the whole scene. Then
I began to wonder why? What did his camera have that mine did
not. I soon found out.
Even though the Digital Rebel was not hyped as a 35 mm camera,
I was thinking of it that way. Now I want to say very clearly
that it is not a 35 mm camera. I have discovered it is really
a 22.7 mm camera. My error was in not realizing the difference.
The Digital Rebel does everything a 35 mm camera does except
for the field size. The width and height of field are necessarily
smaller. In order to understand what that means I had to give
myself a primer on cameras and lenses. This was one of those
situations that required some research.
My learning curve was unfortunately complicated because of
the photographer's jargon. I have never encountered such convoluted
jargon before. This is worse that the jargon of the medical establishment
by an order of magnitude. It makes computer jargon seem like
English. I see no good reason for it. A lense is one of the simplest
devices ever developed by man. All a lense does is collect and
focus light rays onto a surface. In addition, a camera is nothing
more than a light proof box with a hole in it.
So, here is the skinny to the extent that I have been able
to decipher it. These definitions are from Microsoft's Bookshelf
1996-97.
Lens from the Microsoft dictionary.
A ground or molded piece of glass, plastic, or other transparent
material with opposite surfaces either or both of which are curved,
by means of which light rays are refracted so that they converge
or diverge to form an image.
Lens from the Microsoft encyclopedia.
A device for forming an image of an object by the refraction,
or bending, of light. In its simplest form it is a disk of transparent
substance, commonly glass or plastic, with its two surfaces curved
or with one surface plane and the other curved. Generally each
curved surface, called convex if curved outward and concave if
curved inward, of a lens is made as a portion of a spherical
surface; the center of the sphere is called the center of curvature
(C) of the surface. All rays of light passing through a lens
are refracted except those that pass directly through a point
called the optical center. A divergent lens (thicker at the edges
than at the center) bends parallel light rays passing through
it away from each other. The image formed by a diverging lens
is always erect (upright), smaller than the object, and virtual
(located on the same side of the lens as the object). A convergent
lens (thicker at the center than at the edges) bends parallel
light rays toward one another; if they are parallel to the principal
axis of the lens, they converge to a common point, or focus (F),
behind the lens. The image formed by a converging lens depends
on the position of the object relative to the lens's focal length
(distance between the focus and the optical center) and its center
of curvature.
focal length:
The distance from the surface of a lens or mirror to its focal
point. Also called focal distance, focus.
focus
A point at which rays of light or other radiation converge or
from which they appear to diverge, as after refraction or reflection
in an optical system: the focus of a lens. Also called focal
point. b. See focal length.
From Britannica 2003 Ultimate Reference Suite.
Camera Obscura:
Ancestor of the photographic camera. The Latin name means "dark
chamber," and the earliest versions, dating to antiquity,
consisted of small darkened rooms with light admitted through
a single tiny hole. The result was that an inverted image of
the outside scene was cast on the opposite wall, which was usually
whitened. For centuries the technique was used for viewing eclipses
of the Sun without endangering the eyes and, by the 16th century,
as an aid to drawing; the subject was posed outside and the image
reflected on a piece of drawing paper for the artist to trace.
Portable versions were built, followed by smaller and even pocket
models; the interior of the box was painted black and the image
reflected by an angled mirror so that it could be viewed right
side up. The introduction of a light-sensitive plate by J.-N.
Niepce created photography.
Now, is that more that you really wanted to know? So, let's
decipher it.
As we said, a camera is nothing more than a box with a hole
in it such as the camera obscura defined above. It is still possible
for a hobbyist to build this kind of camera. It requires only
a light proof box of some kind with a pin hole in one end. The
pin hole, if small enough, will act as a convex lens and project
an inverted image on the opposite end of the box. If a piece
of unexposed film were placed at the image end, the outside scene
would be imposed on the film. Think about it and you will see
that our super duper Canon EOS Digital Rebel is just the same
box with some modern refinements. A sketch may be helpful here. |